Philippe Halaburda, Sszumiita, Acrylic & Mixed Media on Canvas, 2022

About This Piece

Sszumiita (Abstract painting) Acrylic and color tape on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstraction to describe his work. Through his use of color and lines, Halaburda creates sharp imaginary landscapes that visualize the interconnectedness of humans and their environments. Since moving to New York City in 2016, Halaburda’s work has been influenced by the city’s linear urban environment. He describes his current work as geographic abstraction or psychogeographic mapping, and sees his designs as translating human and non-human interactions and emotions into colorful, imagined landscapes. His work evokes the geometric constructions of Russian avant-garde artist Kazimir Malevich, and Halaburda has cited Piet Mondrian as an influence on his use of color. In 2019, Halaburda published his first art book entitled ‘Spatial representation of emotion’ about his work in New York since 2016. Halaburda also offers commissions and public window tape art, including a recent display for the Hyatt Regency Hotel in Jersey City, NJ in 2020.

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Production Period	2010 to Present
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Contemporary
Detailed Condition	New — This is a new (unused) item of contemporary design.
Product Code	RMD-1444124
Materials	Acrylic on Canvas, Mixed Media
Color	Gold
Width	91 cm 91 cm
Height	91 cm 91 cm
Weight Range	Standard — Between 40kg and 80kg

Shipping & Delivery

Ships from	France
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Maker

Hala

The Dutch lighting manufacturer Hala, based in Zeist, has a clouded history, and it’s unclear whether the company was founded as an importer of German light bulbs in 1909, or if it was started under the Dutch modernist industrial designer Herman Theodoor Jan Anthoin (H. Th. J. A.) Busquet’s direction in the 1930s. Although little verifiable information about the company survives—save for a few brief and conflicting biographies—the minimalist lighting produced by Hala in the 1930s throughout the 1950s are popular on the vintage market today.

Although the correct date of company's inception is unknown, it is widely accepted that Hala was one of the first lighting manufacturers in the Netherlands. Sometime around 1932, H. Th. J. A. Busquet (1914-1955) became the design director. During the Great Depression, Hala began producing cost effective products utilizing pipe and rod iron. After the Second World War, Hala’s simple and affordable designs were praised by the Goed Wonen Foundation, which aimed to address postwar material shortages and improve the quality of daily life through well-designed products for the home. During the 1950s and ‘60s, Hala became a symbol for the economy of modernism.

Most likely drawing inspiration from the De Stijl and Bauhaus movements, Busquets designs were reductionist in style, forming a coherent relationship between form and function. Like Gerrit Rietveld, his work often incorporates a primary color palette, with adjustable and directional features, often with a playful quality. During his time at Hala, he designed icons such as the 144 Desk Lamp (1932); 122 Lamp (1940s); the Pinocchio Lamp (1954)—which features sleek legs that form a tripod base, paired with painted metal shades in a choice of red, blue, yellow, green, white, or black; and the innovative, adjustable Sun Series Pendants (1955).

The company continued to operate after Busquet retired in 1955. In 2008, the company relocated to Amersfoort and operates under the official name Hala Nederlandsche Lampen Fabriek BV (Hala Dutch Lamps Factory BV). In 2011, Hala aquired Dijkstra Lights in Haarlem. The company continues to collaborate with lighting designers such as Peter Kos, Tom Herman Busquet, and Tomcat to produce decorative lighting for homes in the Netherlands and Belguim.