Teak Coffee Table by Aksel Bender Madsen for Bovenkamp, 1960s

Danish designer-cabinetmaker Aksel Bender Madsen (1916-2000) created a number of classic midcentury designs in the late 1940s, 1950s, and 1960s, often working jointly with his business partner and friend Ejner Larsen (1917-1987).

Bender Madsen (as he is usually referred) trained as a cabinetmaker before spending four years studying at the Royal Danish Academy of Fine Arts, graduating in 1940. It was there that he met his lifelong friend Larsen, with whom he would work throughout his career. The pair designed over 300 pieces of furniture together until Larsen’s death in 1987, often working with cabinetmaker Willy Beck, who produced their designs over a 25-year period. Larsen and Bender Madsen participated annually in the Copenhagen Cabinetmakers' Guild competitions from 1947, and their work was exhibited at the Triennale di Milano and in the Design in Scandinavia exhibition, which traveled across the US. from 1954 to 1957.

Larsen and Bender Madsen's most famous design, namely the Metropolitan Chair, was developed in 1949 and produced from 1950; its name came from New York's Metropolitan Museum of Art, where it was shown and acquired for the Arts of Denmark exhibition in 1960-61. Upholstered in saddle leather, the Metropolitan Chair is an elegant example of organic Danish modern design.

Before he began working with Larsen, Bender Madsen worked for Danish icons Kaare Klint and Arne Jacobsenfrom 1940 to 1943. While designing furniture, he also worked simultaneously as an architect for the Danish Consumers Cooperative Society (1943-1950) and as a teacher and principal at the Royal Danish Academy of Fine Arts (1950-54).

Bender Madsen was committed to building the Danish design identity and exporting Scandinavian style. He introduced a clear Danish aesthetic to the Dutch brand Bovenkamp in the 1950s and 1960s, who also worked with fellow Arne Vodder. Bender Madsen designs for Bovenkamp feature many models of easy chairs and armchairs, including the low-backed Edith and the high-backed Karen (circa 1950).

Together Bender Madsen and Larsen received many awards, including winning the prestigious Copenhagen Cabinetmakers' Guild Annual Prize in 1956 and 1961. Their furniture is housed in museums around world, including the aforementioned Met Museum and the Louisiana Museum of Modern Art in Humlebæk, Denmark.

Dutch furniture company Bovenkamp was active in the 1950s and 1960s, based in Hilversum, the Netherlands. While little information about the company’s history has survived, Bovenkamp chairs, lounges, and tables are seeing something of a revival on the secondary market today, attracting enthusiastic collectors thanks to the furniture’s solid, hardwood construction and clean, sculptural lines—clearly influenced by Scandinavian design examples popular in the postwar era. Bovenkamp furniture is easily identified through the company’s mark found on the undersides each piece.

Some dealers in vintage Bovenkamp furniture assert that the company began life as an importer of Scandinavian furniture before opting to produce its own line in the Netherlands, and that this accounts for the Danish design-inspired tapered legs, elegant joinery, and heavy use of teak. As of this writing, however, this fact can only be verified anecdotally.

Notably, Bovenkamp collaborated with a number of Danish designer-craftsmen, such as Arne Vodder and Aksel Bender Madsen, who also worked with manufacturers like Fritz Hansen, France & Sons, and Sibast.